About this CD
I play music in many different circles: for Irish Ceili dances, cajun dances, contra dances,
and in jam sessions anywhere I can find them. Sometimes I'll make music with a
particular person and the musical experience is a special treat. For this project I've
recorded a series of duets with folks I enjoy making music with, either at gigs, or just for
the fun of it. I play fiddle, flute, and accordian.
Several of the tunes in this album are original. Its a real kick for me when someone else
likes my tunes enough to want to learn to play them. Here is a list of of my friends who
appear on this album, in alphabetical order:
Steve Brown - I've been jamming with Steve for around 20 years. We've played lots of
styles of music together: in Saint Patrick's Day Irish bands; Romanian and latin tunes;
swing and blues; etc., and for the past 11 years he has been the drummer in my cajun
band, the Crawdad Wranglers. He plays a number of instruments well, but I'm particularly
crazy about his bones playing. On this album he accompanies me on an Irish flute tune -
The Red Haired Boy, a medley of French Canadian reels, and my original tune, The
Dangerous Jig. This tune was named after I began coughing and choking violently one
time while playing this tune for friends, who were preparing to do CPR to rescue me,
before I recovered!
Fred Carne - I've been playing with Fred for several years at Irish traditional music
sessions in New Hampshire and Massachusetts. He plays several instruments but I've
been particularly intrigued by his Jaw Harp playing. He shows his stuff on my tune -
Sole's Reel, which I wrote in 1978 for my friend Ken Sole as a birthday present.
Regina Delaney - Regina and I have played together at numerous Irish gigs for the past 3
years. We've been the house band for the past two years on Saint Patrick's day at the
local Irish Pub, and have enjoyed working on traditional Irish tunes together. On this
album we play Give Me Your Hand as a fiddle - harp duet.
Dave Hallowell - I met Dave just recently at the Irish pub session I've been leading for
the past 3 years on Thursday nights at Biddy Mulligan's, in Dover, New Hampshire. I liked
his playing from the first strum I heard him make on the guitar. He likes my original
tunes, and so has been coming over to my house to play them. We did two of them
together for this recording. Shannon's Slip is for my niece Shannon. The tune title is a
bit of a play on words since the tune is in the form of an Irish "slip jig", but really was
named to commemorate the unfortunate incident of her slipping and breaking her leg!
J.R. is my father's first two initials, and also a nick name that some of his friends use for
him, thus the title of JR's Jig.
Conor Makem - I met Conor at Biddy Mulligan's also, where he has been a regular late
night night jammer for several years. We've often played together in the pub until well
after midnight, and he has worked up a great tenor banjo version of my tune - The Funky
Jig.
David Surette - I've been playing with David for 15 years or so. We've done many contra
dances and various gigs together. He's a wonder at accompanying the old timey and
french canadian tunes on this album: Arkansas Traveler, Soldier's Joy, Kitchen Gal, and
The Growling Old Man and Woman.
Paul Mangion - I've been playing with Paul over 23 years in various bands, and he has
been my regular cajun percussionist for 11 years in the Crawdad Wranglers. Besides
contempory cajun and zydeco, we also play a good number of traditional cajun two
steps on fiddle, including this tune - The Port Arthur Stomp on which Paul plays
Triangle. We often get requests for polkas, so I wrote this accordian tune which I've
dedicated to my nephew Sean - Sean's Squeeze Box Tune. Paul plays Guiro on this one.
Bob Paul - After I went to Tucson, Arizona to collect fiddle tunes from a native american
fiddle band, the Gu-achi Fiddlers, Bob picked right up on one of my favorite tunes of
theirs, Purple Lilies. For the past ten years or so, Bob and I have been playing the tune
together, at music parties, jam sessions, and whenever we meet.
Mary Paul - I've been jamming with Mary for years at various musical gatherings, and I
really appreciate her fine harp accompanyment for Irish tunes. She Beg She Mor is one of
my favorite tunes to play on flute.
Don Wessels - Don and I share an intense passion for creative music making, and have
had some great jam sessions at my house. For the past couple of years we've been
playing Irish music whenever we get together. On this album we play two of my original
hornpipes: The New Hampshire Hornpipe; and the Long Winding Road to Elkins. Don's a
bit humble, but he's really a virtuoso on the chromatic harmonica. Don enthusiastically
learned my first hornpipe immediately after first hearing it. We then discovered that we
had both driven the same highway to Elkins (West Virginia), and when I played the
second hornpipe for Don, he dove right into it, and we worked up a great fiddle/
harmonica version of both hornpipes in a medley.